Naked Witch: An Autobiography

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Fiona Allison is a 26 year old Indian popular hot social media model and Instagram star from Bayonne, France. First, I did some work with a striptease artist where I described her act verbally, then stripped the context back further so all I was left with was the nude. Strikingly naked atop her majestic steed, she commands attention from all who pass by Great Windmill Street, just opposite the legendary Windmill Theatre. Collecting is a recurrent theme in Banner’s work, and she has compiled this collection over a period of twenty years.

Every life drawing, good or bad, is like a gravestone, an attempt to make permanent that which is always passing, an attempt to seize what we can’t hold. The spatial arrangement of the lettering, with white over receding black, suggests a shadow or space a person might inhabit. Banner says 'I liked the idea of comparing the athlete to a superhero, with some extraordinary prosthetic gift. Does this text contain inaccurate information or language that you feel we should improve or change?

By entering this site you swear that you are of legal age in your area to view adult material and that you wish to view such material. Banner's current work encompasses sculpture, drawing and installation but text is still at the heart of her practice. For example, Top Gun 1994 (Tate T13203) is a billboard-sized unedited written account of the action in the movie of the same name starring Tom Cruise, while Break Point 1998 (Tate T07501) is based on the chase scene in Kathryn Bigelow’s cult film Point Break (1991). Enjoy the largest amateur porn community on the net as well as full-length scenes from the top XXX studios.

Jane’s All the World’s Aircraft represents a shared knowledge, beyond political and national boundaries. For the past few years Banner has been producing one-off publications as part of a series about the way ideas are represented and circulated. In this iconic image, we witness the fearless Fiona Richmond, renowned actress and symbol of liberation, fearlessly horse riding through London's bustling West End.For Banner, bells signify the simplest form of communication – an instrument that requires no music; a language without words, yet with multiple and conflicting meanings. Acknowledging the absence of a major movie depicting the battle, Banner draws out the brutality in a language learnt from the visceral manipulations of a contemporary war film.

This developed out of works she made using pornographic films, such as Arsewoman in Wonderland 2002, and the desire to investigate what the body can communicate outside of any narrative context. Furthermore this verbal encounter reflects her interest in the act of reading which draws together the processes of looking and meaning. Fiona Banner creates nude studies from life, by transcribing physical scenarios into verbal descriptions. She has also said: ‘The performances expose these layers of voyeurism – my voyeurism looking at the model, and the audience’s voyeurism looking at me making the art, and looking at the model.The title of the work refers to the expressive and experimental nature of the piece with its drips and washes of ink. Lizzie Carey-Thomas and Dave Hickey , Harrier and Jaguar, exhibition catalogue, Tate Britain, London 2010.

The tapestry was a propaganda triumph, which influences the way history depicts the invasion to this day. In response to requests from the Legal Deposit Office The Vanity Press produced a comprehensive bound catalogue of the ISBN artworks and the data information forms used to register them. Fiona Allison’s has over a million followers and is best known for her sexy exotic photos and videos. She recently turned her attention to the idea of the classic, art-historical nude, observing a life model and transcribing the pose and form in a similar vein to her earlier transcription of films. The first nude performance, at the Port Eliot Literacy Festival in 2006, was an experiment in front of an audience between the model and the artist.

It’s a way of describing ourselves – an attempt to stall time long enough to make some kind of reflection, not of the stuff around, but of us, the flesh. This work is part of a portfolio of twelve prints by British artists that was commissioned by the London Organising Committee of the Olympic Games and Paralympic Games to commemorate the 2012 Olympic Games in London. She often employs text as a visual medium through which to explore the way in which experience is translated into language.