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The character is "the past me" for the protagonist, and this "other me" that should have existed only on the Internet has materialized due to external factors (the consciousness of the fans who want the protagonist to be like that) and internal factors (the protagonist's regret that she might have been more comfortable in the past). And then the composition that the character and the protagonist herself confronted emerged. [18] [19] KON'S TONE" VSダーレン". Konstone.s-kon.net. January 23, 2001. Archived from the original on July 11, 2012 . Retrieved January 28, 2015. There is no play-within-a-play in the original story, nor is there a motif of blurring the boundary between dream and reality. [24]

The distributor was successful in obtaining permission from filmmakers Roger Corman and Irvin Kershner to use their comments in recommending the film free of charge worldwide. As a result, their comments were used on international theater flyers and in worldwide promotions. On the other hand, the play within a play, Double Bind, is more like a parody than a straight psycho-horror, and he made it with the intention of criticizing Japanese TV dramas that are easily made by imitating Hollywood fads immediately. [22] The distributor began negotiations with distributors in various European countries and eventually succeeded in selling the film in major markets such as Spanish, French, Italian, English and German-speaking countries prior to its release in Japan. [26] By the time Kon was offered the job, the title Perfect Blue and the content, a story about a B-class idol and a perverted fan had already been set. [20] [22] [23]Beveridge, Chris (January 15, 2021). " Perfect Blue Blu-ray Anime Review". The Fandom Post . Retrieved January 16, 2021. a b Hoai-Tran Bui (October 26, 2018). "Ranking The 13 Scariest Animated Movies Ever". /Film. Archived from the original on November 16, 2018 . Retrieved May 19, 2019. a b c d "Japan mourns anime master Satoshi Kon". The Guardian. August 26, 2010 . Retrieved September 24, 2021. a b c Napier, Susan J. (2006). " 'Excuse Me, Who Are You?': Performance, the Gaze, and the Female in the Works of Kon Satoshi". In Brown, Steven T. (ed.). Cinema Anime: Critical Engagements with Japanese Animation. London, England: Palgrave Macmillan. ISBN 978-1-4039-8308-4. Archived from the original on June 13, 2020 . Retrieved November 15, 2019.

Perfect Blue Blu-ray". Blu-ray.com. Archived from the original on December 12, 2018 . Retrieved December 11, 2018. Denney, Alex (August 27, 2015). "The cult Japanese filmmaker that inspired Darren Aronofsky". Dazed. Archived from the original on November 12, 2018 . Retrieved November 12, 2018.

Perfect Blue". Rotten Tomatoes. Los Angeles, California: Fandango Media. Archived from the original on April 30, 2019 . Retrieved October 27, 2022. Some time later, Mima is now a well-known actress and visits Rumi in a mental institution. Rumi's doctor says that she still believes she is a pop idol most of the time. Mima says she's learned a lot from her experience, thanks to Rumi. As Mima leaves the hospital, she overhears two nurses talking about her. They think she is a lookalike, as the real Mima Kirigoe would supposedly have no reason to visit a mental institution. As Mima enters her car, she smiles at herself in the rear-view mirror before declaring, "No, I'm real." Graham, Bob (October 15, 1999). "Animated Blue Has a Surreal Twist / Japanese film scrutinizes pop culture". San Francisco Chronicle . Retrieved January 16, 2021.

Initially, Murai wrote the first draft of the script, and Kon added or removed ideas from it. They spent a lot of time discussing, and many of the ideas came out of that. [19]Perfect Blue premiered on August 5, 1997, at the Fantasia Film Festival in Montreal, Canada, [28] and had its general release in Japan on February 28, 1998. [29]